Anastasija Pandilovska (Skopje, 1991) is a visual and research-based artist working at the intersections of drawing, writing, and collaboration. Her practice treats artistic and investigative processes as living systems rather than fixed outcomes, with drawing functioning as both a visual and conceptual method—mapping, tracing, and remembering—while following invisible exchanges between human and non-human presences.

Her work investigates how environments, whether material, relational, or experiential, carry traces of memory and history. During her research period at LAPS, Research Institute for Art and Public Space, she explored publicness as a dynamic field shaped by friction, negotiation, and transformation—a mode of thinking that continues to ripple through her approach, even as it shifts elsewhere. She treats space as an active participant, where fragments, residues, and overlooked details become generative sources of meaning.

This sensitivity extends into the ways of working she develops with collaborators, where collaboration is understood as an evolving, porous space rather than a fixed framework. She gravitates toward projects that explore relationality, care, and continuity across practices and communities. Embracing curating as part of her artistic method, she works with Marjoca de Greef and Suns and Stars on cross-disciplinary initiatives including Collective Domain of Cultural Memory and the trilingual publication Resonance of a Breathing Bowl (2023). She is currently working on the collaborative unfolding meeting in the blue fold, which will be presented at Filmhuis Cavia in November 2025.

anastasijapandilovska.hotglue.me